Get Down

My latest Etsy post was a pleasure to research. Cookie Vanous and her daughter Dawn Schrog of the Czech Feather and Down Co. were so gracious with their time, despite the fact that they were trying to whip up a slew of door draft-stoppers in time for a craft fair in Cedar Rapids. (Dawn's daughter was going to sell them as a way to drum up some business.)

I learned all about stripped feathers (read more about that in the Etsy post) and got to see the piles of pillows and bedding sent by folks from all over the country for renovation. Their customers are all over the U.S. and the world and they've custom made all kinds of pillows and comforters. I especially loved that if you buy a pillow from them and after sleeping on it for awhile if you want it firmer or softer they'll add or subtract down to make it just right.

Cookie and Dawn also told me their best customers are men. They say that when couples come into the shop the wives will often say "Oh, I could make that...don't buy it, it's too expensive." And the husbands will tell Cookie and Dawn, "I'll be back." And they always are.

After my visit to Czech Feather and Down I'm planning to bring my old pillows in and perhaps combine the down for a nice, new, fluffy pillow. They do such beautiful work and are such nice people, to boot!

Back to My Future

I've mentioned my love of embroidery: when I was in college I covered my overalls and work shirt (a blue chambray shirt) with butterflies, flowers, cross-stitched seams, a giant tree, and more. I also made lots of patches. In early October my book group decided to have a craft weekend and I brought a dishtowel and embroidery floss and hoops for everyone, and my friend Emily drew the perfect bookgroup motif on each of our towels. And thus my love of embroidery was rekindled.

It took another month to get it finished, but on my way home from Quilt Market I started stitching. I choose blue and green (no surprise to anyone who knows me) and then added a bit of orange steam rising from the cup, just so you'd know the coffee was piping hot. I used a chain stitch for everything except filling in the coffee, primarily because it's the stitch I know best. I also wanted it to be ultra-sturdy so that it would be useful and I wouldn't worry about pulling anything out as I used the towel, which I fully intend to do.

I got so excited I went straight from the airport to Ben Franklin, where I purchased more towels. I've now got stitching firmly embroidered on the brain.

And unfortunately, if I told you what PFS stands for,  I'd have to kill you. Our book group (of 18 years!) is sworn to secrecy.

Have a wonderful Thanksgiving!

More Quilt Market photos, but Etsy words

Amazing applique and quilting by Autralia's Don't Look Now 

I had a post on Etsy yesterday about Quilt Market. If you're coming to Pearl the Squirrel from Etsy, there's more on Market here. If you're interested in reading more about Market on Etsy, click here.

Lucy Prior in the Kaffe Fassett booth

Dolls from the Melly and Me booth

By the way, while in NY I had the opportunity to visit the Etsy offices and meet the fabulous Storque editorial team in person. They were extremely gracious and TeenAngster put up with me wandering about with my mouth agape as she gave me the tour. (She's known me for a few years, so perhaps she wasn't surprised by my total lack of cool in the face of so much awe-inspiring, crafty hipness.)

Moda's booth with Momo and Sandy Gervais quilts

From the ceiling hung ductwork covered with green and yellow crocheted granny squares. By the front door were rooms for making phone calls decorated with all manner of Etsy-made items (people don't use their phones at their desks, so although the space is open and enormous, it's relatively quiet). A room divider of hanging balls of yarn, Dottie the speckled dachshund wandering about in her Etsy t-shirt, a ping-pong table, specially designed and stitched quilts that set off a "living room" with couches, lamps, and a coffee table (all vintage and purchased off Etsy), the craft workshop...it went on and on. Thanks to Etsy for welcoming me and sharing their Eatsy lunch with me, as well.

Whole lotta Spandex going on...

Yesterday my eldest daughter completed the New York marathon! It was a perfect day for the run...sunny, around 50 degrees, fabulous crowds...and we were all there to cheer her on. We started in Brooklyn, just two blocks from my younger daughter's apartment, where we saw the elite men runners, had brunch, and then came back out on the street (Maggie started in the last wave of starters, at 10:45. She ran for Team Boomer, raising money for cystic fibrosis awareness, research, and educational scholarships for CF patients.)

We took the subway, cabbed, and walked blocks and blocks to see Maggie at four separate locations. They wouldn't let us to the finish line, but we enjoyed a reunion on Columbus Ave., complete with cupcakes from Magnolia Bakery. She not only completed the entire marathon, but she improved her time by 27 minutes from her previous marathon in San Antonio! Her parents, sister, and husband are in awe and had a fabulous time cheering her on.

The whirlwind that is Quilt Market

For photos and more information that I didn't get to include, make sure to click on the radio Quilt Market link to the right. It will take you to lots of other posts with lots of perspectives and photos—don't miss it!
Phew! Six days after I returned from Tahoe I headed out for Houston. For a home-lovin' gal like me, it's a little challenging to travel so much. But I must say, Market is always such an inspiration. And it's so much fun to get to meet in person the wonderful folks I interview all year via phone.

This was never more true than this year. I spent the entire month of August interviewing designers for Moda's fall "playbook." This is the catalog they give to quilt shop owners to peruse when they make appointments with their fabric reps. It includes images of all the newest fabrics, organized by designer. This Market their theme was Family Tree and included a family tale of each designer or design team. I was the lucky girl who got to write the 18 bios. (Several of those required multiple interviews, as the "designer" is really a pair or more of designers.) I was so excited to see the final product (at left) and it did not disappoint. Marketing director Lissa Alexander is amazing at coming up with ideas for Moda and her crack team of designers really help her ideas shine.

Ann and Anne Sutton of Bunny Hill

In addition to loving the way it looked, I was so pleased to meet many of the designers I interviewed. On top of being talented, they're a fantastic, friendly group of women and because the theme was family I heard some great stories (see the lede to Sandy Gervais bio at left) that really made me laugh.

Blackbird Design's Barb and Alma

I talked to Sandy Klopp of American Jane (ack!!! no photos) and Alma and Barb of Blackbird Designs (who later won a best booth award...you can see why), Anne Sutton of Bunny Hill (here with her friend Ann), and Barb and Mary of Me and My Sister (sorry, no photos of their super-cheerful booth with great new bags). Talked with several others as well, but was so busy chatting that I forgot to shoot photos.

I got to see a few of my other favorite folks, as well. Here is a photo of Anna Maria Horner and her mom. She was as friendly and warm as Anna Maria, and I was a little envious of how much fun it would be to work together on an endeavor like a Quilt Market booth with one's daughter.

I've always admired Jane Sassaman's work and took the plunge and gushed about it to her. She, too, was  as friendly as she is talented and we chatted for awhile. Here's a shot of her with her friend (whose name I have sadly forgotten).

Amy Butler's booth

Right across the way was Amy Butler's fabulous (as always) booth. Amy was busily signing her new book and talking with admirers  every time I came by, so I didn't get any photos of her.

Across the aisle was another of my favorite folk, Tula Pink. She's started designing for Free Spirit and it was great fun to see her. In addition to her gorgeous fabrics and quilt patterns (machine quilted with amazing style and speed by her friend Angela), she was sharing little packets of pink and purple M&Ms emblazoned with her name—so cool! Chocolate was everyone's friend at the show...there was lots, but I didn't see any other personalized treats. (Sorry, no photos, again.)

I also chatted with Jenean Morrison, who has a wonderful new line, Wild World, for Free Spirit. Her booth included a fabric covered guitar, table, and bicycle and I heard later that she'd won a booth award. She talked about how much she loved seeing what people did with her fabric—she doesn't do much stitching herself.

Stephanie and Codi

One of the big excitements of the show was that my traveling buddy Codi (of Home Ec) had designed and stitched a quilt for Camelot Cottons and a magazine expressed interest! Can't say much more, but Codi is a true artist (as in, she has a degree in art) and a sweetheart and I'm so excited for her success. Here she is with Stephanie, the company's art director.

As always, Japanese fabrics were incredible. Here is Etsuko Furuya of Echino, sitting pretty in a display of her magical fabrics. We also visited a booth where Codi purchased for Home Ec some of the most amazing buttons, zippers, and trim from a small Japanese company.

Clothing seems to be getting bigger all the time and there were some great patterns for adults, as well as children. Here's one of my favorites—Sewn. Their patterns are enough to make me think that I might try garments again someday, and I love how each one can be modified—a jacket pattern also makes a trench, for example, and you can change up design details to create a new look.

There were a couple of new fabric companies—one of my favorites was Anthology, out of Southern California. Here are some clever folding chair treatments that featured their fabric.

Organic cotton prints were gorgeous, too. Here is Jan of Daisy Janie, getting a ribbon for her booth as Best New Exhibitor. The wonderful Bob Ruggerio is presenting her with the award—he's in charge of media for Market and Festival—a huge job—and he and his trusty assistant Rhianna do their work with ease and a wonderful sense of humor.

Wool continues to make me drool. The Wooly Ladies rich, bright hues are fabulous, and I also loved these warm tones of Mary Flanagan...all hand-dyed, too.

As per usual, Market ran the gamut from the sublime to the downright silly. Here is a fine example: the ironing board cover that features a naked stud-muffin covered by a towel. When you iron over the towel, his anatomically correct physique is revealed (I never got actual proof of this—apparently it was too risque for Market, but the sellers assured us it was so). The cover is available in a blond or brunette model and apparently also comes in a female version, which they claim was in much less demand. (This company sells some really great ironing board covers, too. And this one may be fabulous...it's just that there's something decidedly perverse about running a hot iron over the male member on a regular basis. Ewww.)

There were so many folks I saw whose pictures I didn't take...Lila Scott (technical editor of APQ) and I got to stroll around together and she's always such a treat; Heidi Kaisand of APQS shared photos of a relative's amazing outdoor wedding; Linda Lum DeBono scurrying around, woman on a mission as per usual; Marianne of The Cinnamon Patch, who translated my story for Quilt Country and told me she got so excited about pearl buttons she also wrote a column on them; Karen Snyder of Anna Lena's who was perusing the amazing quilt exhibition and confessed she'd bought a new quilt earlier in the day; Pam of PamKittyMorning with her friend Elizabeth of Late Bloomer Quilts; all my great editors at American Patchwork and Quilting and their related publications (especially enjoyed chatting with Lisa, the editor of All People Quilt, their online site); a quick hello to editor Tricia from Stitch; the list goes on and on. It's so much fun to connect and catch up.

There is one final photo, and that's of me and someone I've admired for years and years and years (since 1985, when I lived in England and saw an exhibition of his knitting). I couldn't help myself and Kaffe Fasset was willing to put down his needlepoint long enough to pose, so I went for it. It was shot by Brandon Mably, who suggested I tuck my name tag into my jacket so it didn't spoil the "liveliness" of my clothing's color scheme. Yup, I'll admit it...I can be just as much a celebrity designer groupie as the next person!

Lakeside sewing

One of the wonderful connections I've made through my writing is with Mary Lou Weidman. I "met" her when I interviewed her for American Patchwork and Quilting nearly four years ago and we've walked the aisles of Quilt Market together. 

Kathy and Mary Lou

In addition, last January I took a class from her at John C. Campbell in North Carolina. Lots of great opportunities have come my way thanks to Mary Lou. This past week another one took place—a sewing retreat at Zephyr Cove on the shore of Lake Tahoe.

There were 15 of us from around the U.S.—most from the West Coast, but there were two Texans and a Georgian. Everyone had taken a class from Mary Lou at some point, many at the Asilomar Empty Spools seminars. 

Some folks brought a Mary Lou-style story quilt to work on, while others brought UFOs or other projects they had in the works. 

Candy's story quilt about her mom

I only knew five of the people and really enjoyed getting to know the rest. The location was fantastic—a light-filled sewing room with views of Lake Tahoe right out the window—and the company was creative and fun-loving. 

Cherise's incredible pineapple quilt

There was lots of laughter and lots of sharing of techniques, design ideas, and fabric. (Of course we had to buy some fabric, too. There's a terrific little shop with a varied and sizable inventory that some people hit more than once.) 

Kathy's Hoochy Mama flowers

Lynne stitches her family quilt

Some of us had gathered in Lake Tahoe previously and already had the required Red Hut clothing. After a Red Hut breakfast one morning several of the rest of us got this year's Red Hut sweatshirt. We also had the opportunity to peruse the blown glass jewelry made by Andrea King and several of us took something home. She even took orders and brought them to us a little more than 24 hours later.

Nancy and her new necklace

I learned a tremendous amount simply by seeing what other people were doing.

 I think I mentioned that my French Roses quilt took a turn for the better when I laid out my blocks at the end of the first night and someone casually mentioned that I might think about a sashing. Before I knew it people were bringing over fabrics to audition and then someone suggested keystones. I'm so happy with the way it turned out—the black and white lifted it from being fine to giving it a bit of sophistication. The border is still in the works and only about half done. 

I also learned wonky Monkey Wrench blocks from Mel and Deb, who were cranking out cowboy and polka dot blocks, respectively. Everyone's work was different and inspiring in its own way. 

Carol

Though I went through travel hell on either end of the week, the time I had in between made it all worthwhile. Now, I'm hoping that I've built up some good travel karma for my next two trips—Quilt Market this coming weekend and the New York Marathon the week after. 

Apologies for the wonkiness of this post...the quilt blocks are supposed to be wonky, not the blog layout!

Packing up my cares and woe...

I'm hitting an unprecedented spate of travel just now. Right before I left for the first trip I took a French Roses class at Common Threads. I had no business taking a class just then, but I remembered the pattern from several years ago, when Common Threads opened and I just couldn't resist.

I was totally excited my the red, purple, and green fabrics and I got these two blocks done and all the other pieces cut out by the end of the class. Then I had to pack up and head out. Stay tuned for what happened to this pattern, thanks to the input of a group of creative, talented women!

Generation Stitch

A couple of weeks ago I had the incredible pleasure of having both my daughters home for a weekend. The younger one had to head out on Sunday afternoon, but Maggie stayed until Wednesday. We had the most wonderful, leisurely time: the weather was gorgeous and we walked to Home Ec and RSVP, had a ladies lunch, and bought a chocolate bar to share in the park. And we sewed!

Maggie's been taking classes at Stitch Lab in Austin and has really taken off on her sewing—she's done some bags and a skirt, but the accomplishment I'm most impressed by is a headboard she made for her guest room for which she had to piece three sections of a chevron-print material. The seams match perfectly.

She has several friends who are in a family way, and for one of them she wanted to make a playmat from a pattern she'd found in Lotta Jansdotter's Simple Sewing. We modified the pattern a bit to make it a little larger. In addition, rather than the recommended stitching in the ditch, Maggie went for echo-stitching each rectangle (and learned just how fabulous a walking foot is for quilting). The fabrics were stash-busters from my bulging closet...so happy they got used.

We spent Tuesday back-to-back at our respective sewing machines, catching up and listening to tunes. Most satisfying aspect: the entire playmat was completed and Maggie went home with a gift for her friend. Best part: spending time with my sweet girl.

Adventures in Crafting Continue

In addition to my Gujarati embroidery class, I took a one-night class in needle felting. I'd bought the book Little Felted Animals more than a year ago, although I had no idea how to needle felt. I simply couldn't resist the adorable critters in it. 

Codi taught the class, and she had several other books, as well. I made the bird that night from the book Sweet Needle Felts (I think). Codi complimented me on how firm he/she was and you could practically hear me puff up with pride. Really, it takes so little to make me pleased with myself. (A few nights later both girls and Paul and I were g-chatting and they were all talking about the truly important things they are dealing with at work: patients with diabetes, the best ways to handle new administrative duties, the death penalty. And I was showing off felt animals.)

The next morning, fresh from my conquest of felt birds, I got up and made the mouse from Little Felted Animals. I was on a roll.  I had this idea that I'd make an animal a week and then I'd really understand how to judge the proportions and I could take off and make my own.

The polar bear was next on the roster and it was then I realized that some creatures are definitely more challenging than others. For the longest time he looked a lot like a rat and building his haunches and shoulders out took some doing.

In the end, I think he could have had longer legs, but I do like his cartoon face. This past weekend I got a start on a Jack Russell terrier, in preparation for re-creating Pearl. That lone black spot should be easy to reproduce!

In searching the web I've discovered probably the most amazing needle felted animals—somehow they have the most expressive faces, yet they're smooth and simple. They're by Victor Dubrovsky, and you can find them here.

Crafting ADHD

Yes, I'm a quilter, but I can't just leave it at that. Years ago I was a spinner and weaver, I've always been a knitter, and I love to sew all kinds of things that don't qualify as quilts. I've covered a birdbath with broken pottery, used boxes and fabric to make doll furniture, and heck, was even an elementary school art teacher for awhile, so you know I've tried every craft in the book. That's why I understood when a woman I recently met told me she had "crafting ADHD."

A couple of weeks ago I finished a big project and as a treat to myself I decided to give in to my love of all crafts and signed up for two classes at Home Ec. The first was something called Gujarati embroidery. I was a big embroidery buff during my college years (a few samples from my blue chambray "work shirt" and a patch for jeans) and keep wanting to get back to it. So, although I had no idea what Gujarati embroidery was, I decided to give it a try.

The floppy-looking framework for the embroidery at left

Turns out that Gujarati is a region of India and this embroidery hails from there. Our teacher learned it as a young girl (in 1953!) from an Indian man who stayed with her family when they lived in Costa Rica. She was a great teacher and actually gave each of us in the class a sample of the technique stitched out step-by-step on muslin. Good thing, because I certainly had to refer back to it time and again.

The back of Gujarati embroidery

The really amazing thing about this is when you turn it over and look at the back, you realize that there are very few stitches showing. You create a framework and then you weave your thread in and out to create a design. We learned two types of embroidery—one in which the motif's center is filled with thread and one in which it is empty.

Most traditional Gujarati embroidery seems to be one color, but starting with two colors helped us see where we were going. It was a fairly tricky technique to learn, but once I got the basics I could move on to the more complicated patterns. I even made a Christmas ornament using the design as it reminded me of a snowflake...will wait to show that closer to the holidays.

Filled center embroidery at left, open center at right

And as often happens, the first week I learned Gujarati embroidery I went home and read the word "Gujarati" in the book I was reading...Cutting for Stone by Abraham Verghese. I'd had the book on my shelf since March 2009 and finally read it. Recommended—a compelling read. And I'll tell you about my other class in the next post.