Today in Textiles

A couple of interesting textile notes:

A piece of a skirt worn by Elizabeth I (bearing striking resemblance to the skirt she's wearing in this 1602 portrait) was found in St. Faith, Bacton, a 13th-century parish church in Herefordshire, England, where it had been cut up and used as an altar cloth for hundreds of years.

Two fascinating quotes from Eleri Lynn, curator of historic dress at Historic Royal Palaces in the January 7 article in the Guardian:

"In Tudor times, clothing was so expensive that it would be passed from one generation to the next, or taken apart and reused for something else, like cushion covers."

"On top of that, Oliver Cromwell sold off every item of clothing in the royal stores, so the only things we have, including a hat which might have been worn by Henry VIII, have come back to Hampton Court after they have survived elsewhere."

(I was drawn to this story, in part, because I lived in Hereford in the mid-1980s. Hope to get back there this fall.)

And an amazing quilt collection is on sale this weekend in Berkeley.

Eli Leon, quilt collector

http://www.berkeleyside.com/2017/07/27/vintage-quilt-collection-passionate-local-collector-eli-leon-sale/

Quilts for sale

Log cabin quilt from Eli Leon collection

Double wedding ring quilt from Eli Leon collection

I remember hearing about Leon when we lived in Berkeley—at the time (late 80s-early 90s) he was collecting quilts made by an African American woman in Richmond, CA, among others, and years later an exhibition of his quilts appeared at the Figge Art Museum in Davenport, IA. Boy, do I wish I was in Berkeley (although it's probably a very good thing I'm not)!

Getting Back At It

I've neglected Pearl the Squirrel for so long that it's become kind of an ominous creature for me, lurking in the background, leaving me feeling bad. I decided it's time to revitalize this beast, but in a way that's much easier to cope with. I won't always have things I've made to share—it's been a long time since I've completed a quilt, for example—and so I've decided to share small things. They may be things I've sewn or knitted or they may simply be interesting textile tidbits. And that is what today's post is—I saw this in the November issue of House Beautiful and it combines two of my favorite things: textiles and words. Scroop. Who knew?

Passing the Soup: A Metaphor for Being There for Friends

When I write about myself, it's usually about my relationship with textiles. But today I'm going to share what I think is one of the loveliest and luckiest things about my life, and it's got to do with soup.

I consider myself a pretty healthy person—I try to eat thoughtfully and moderately. I walk 3-4 miles several times a week, I do pilates twice a week, all last winter I swam between a half-mile and a mile twice a week, etc. etc. Nevertheless, I've wound up needing significant medical interventions in four of the last five years. It's challenging on a number of fronts, not the least of which is because it doesn't fit with my self-image. But what's made it all bearable is the passing of the soup.

Pre-Soup Veggies

This past Monday, the day before I was scheduled to have significant surgery on my nose for skin cancer, my friend Emily called and said she wanted to stop by with some soup for me. She did and we chatted and she left a wonderful container of carrot-potato soup and some sweet potato pie. I had to cut our visit short because I was taking soup to my friend Greta, who had just had a baby. It made me realize how lucky I am to live where my community of friends looks out for one another in good times and bad.

This past year I've shared wonderful joy and deep sorrow with friends, and as much as possible I've tried to "pass the soup." Often I feel guilty that for one reason or another I'm not able to make someone an entire meal and feel that the little I do is inadequate. But when it's me on the other side, I'm reminded how there are many ways the "soup" gets passed, and how each one of those acts is meaningful and helpful.

Since my surgery, I've had a cadre of volunteers who arrive twice daily to walk Pearl, and who've brought dinner and breakfast. I've received flowers, take-out Thai food, cards, and phone calls. Greta's texted me photos of her dear, sweet new baby. Everyone has their own skill set and an amount of time they're able to give at that moment and each act of kindness adds up to an amazing whole. I've felt so loved and cared for during this medical incident (and the others). I hope I remember in a few weeks, when my face isn't swathed in bandages, that no matter what I do for someone, even if it seems small, it matters. It's worth doing.

Pass the soup. 

Spring Quilt Market update #1

Thanks for waiting! You may have seen similar photos elsewhere, but I'm sure I'll have a few that are unique, so I hope you enjoy them.

My Quilt Market entourage has expanded since the days when Codi (center) and I went to include the super-talented Greta Songe (on left, who's gone with us the past two Markets) and this time Jenny Gordy (right) of Wiksten. Since I interviewed Jenny for the current issue of Stitch with Style she's started working at Home Ec and we've gotten to be friends and she was ready to check out Market in relation to her patterns. Greta had some great conversations regarding her fabric designs and Jenny was a veritable celebrity, as shop owners told her how much they loved her patterns and her Wiksten tank showed up in numerous designers' booths.

Our arrival was delayed by a day due to tornadoes in Texas. Our night in the hotel-from-hell could be a post in itself, but I'll spare you the drama. Suffice it to say, we were darned happy to make it out the next morning, but it did mean we missed most of Schoolhouse. Got this one photo of this Quilt Market's "it girl," Tula Pink. She has definitely hit her stride—the session was SRO.

The first booth that caught my eye was Deep South Fibers, a knitting pattern distributor that was looking to move into the sewing pattern world. The owner (I think Donna Higgins, but not 100% sure) had some examples of things knitted with Deep South Fibers patterns, including these adorable kids clothes of her own design. If you knit, check them out. Really elegant items.

Next up was a stop at Penguin and Fish (mentioned yesterday). I covered Alyssa for True-Up, so check out lots of photos here.

Just across the aisle was Carolyn Friedlander, talented designer of Architextures fabrics (for Robert Kaufman) and very cool quilts (and we spotted her teaching at Portland's Modern Domestic when Market was done). I love the quilt behind her.

I had the pleasure of talking with people I've interviewed for past and present stories, as well as meeting with editors, including Amber Eden of Stitch. She took this photo of us all (who have all appeared, or will appear in the pages of Stitch), along with Stitch contributing editor (and a former American Patchwork and Quilting profile subject of mine) Kevin Kosbab. (You can see a shot of Amber here.)

Now, in no particular order, are more Market photos. I'll be breaking this into two posts. In addition, over the next few days True Up will be including my coverage on Cloud 9, Rashida Coleman Hale, and Camelot, so I won't duplicate them here. (Except for these fabulous ties, below, from Sarah Watson's Dem Bones line for Cloud 9—love 'em.)

Riley Blake's cleverly titled "Gingham Style"—love the varied sizes of checks

Deb Strain's fabrics for Moda

Kaari Meng's mood board

Not a great photo, but the only one I managed to snap of the vibrant Heather Ross. We'd "met" via phone when I interviewed her for Stitch, and she was kind, complimentary, and a great story-teller.

Jennifer Sampou's stripes

Minnick and Simpson's fabulous ikats for scarves (Moda)

Cluck Cluck Sew offered more great patterns

One of the loveliest booths belong to Leah Duncan for Art Gallery. She was also extremely lovely, herself. Check out the two photos below for more.

And then we ended the day—yes, ended rather than started—with a trip to Voodoo Doughnuts. Everyone raved, but I for one was not going to be taken in by doughnuts that featured bacon or cereal...seemed gimmicky. But I was so wrong. The plain ol' chocolate glazed doughnut and blueberry cake doughnut I managed to eat were amazing. Plus, we got a great trip phrase out of our visit. When Greta was contemplating trying the maple bacon doughnut, the cheery server offered "Zero reasons not to!"which quickly became our Portland motto.

Heading to Quilt Market

In a couple of hours I'll be on my way to Quilt Market in Portland. I'm experiencing that last minute packing mania: Does this green go with that grey? Will TSA find the tube of toothpaste that won't fit in my plastic bag? How many knitting projects will I realistically finish? Do I want my computer (and if so, where the heck is the cord)? What bag looks good to carry it in (since I neglected to make one)? Etc. etc. etc. Of course, all eyes will be on the fabric, not on me, so I should just lighten up!

I'll be covering Market for Etsy, Quilt Country magazine, and also for True Up! (I'm super-excited to help Kim out with that and hope to meet some of the other bloggers who are filling in for her, as well.) And I'm traveling with the Iowa City talent team of Greta Songe (fabric design), Codi Josephson (Home Ec Workshop owner), and Jenny Gordy (Wiksten). So fun to get to focus on fabric and sewing for five whole days!

Color and Texture: Spain

Walkway in Ronda

I had the great good fortune of accompanying my husband to a meeting in Southern Spain last week. We spent nine days visiting Malaga, Seville, Granada, and Ronda (part of that was meeting-time, of course, but I didn't have to go to the meeting). The opportunity to go on these trips reminds me of what's good about freelancing and a flexible schedule...

Dresses in the Paul Nunez shop in Seville

The Moorish influence in this region (Andalusia) meant lots of beautiful tile work that I knew would remind me of quilts. What I didn't know was that the streets and sidewalks would all be beautifully patterned with rocks. Seriously, I don't think I walked on a solid surface the entire time.

Sidewalk in Nerja

 The other thing we didn't know was that it was Holy Week, or Semana Santa. The frightening-looking costumes belong not to a race-based organization, but are Nazarenes. The other stunning thing were the floats featuring life-sized, wood-carved Biblical scenes decorated with incredible silver and embroidered textiles, that were carried through the streets, sometimes for hours. The young man below is one of those carrying a float.

Hope you enjoy these!

Float carrier takes a break during a procession in Malaga

Nazarenes in Malaga procession

Nazarenes in Malaga procession

Float of the Virgin Mary being carried through the streets in Malaga

Malaga float detail

Will it rain? Float carrier in Malaga wonders

Nazarenes in Granada

Detail from the Alhambra in Granada

Arches in the Alhambra in Granada

View through the Ronda city walls

Granada windows

Shawl shop in Seville

Traditional Spanish dresses in Seville shop

Shawl detail: hand embroidered

Sevilla detail 

Sidewalk in Seville

Floor in Seville

Seville garden

Seville tile