We interrupt this blog for some unrestrained admiration...
Yes, that would be for Anna Maria Horner, fertile in both the familial sense and in her work. If you're not familiar with her first book Seams to Me, then you've probably drooled over (or better yet, stitched something with) her fabrics for Westminster.
Her blog just noted that her new book, Handmade Beginnings, is out. I haven't had the chance to see it yet, but between the peeks provided on various sites (Anna Maria's shop offers signed copies and Amazon has a video of her with her brood and various projects) it looks like there are some great projects. Her blog contains an excerpt from the book's intro that gives you a heartfelt idea of the thought behind the publication.
I mention this because I've been a major fan of Anna Maria's since I had the opportunity to interview her for Quilts and More back in October of 2007. She was so kind and funny, but what really struck me is how thoughtful she is about her art and art in general. I enjoyed our conversation so much that I wanted to chat with her again and pitched a story to the University of Tennessee alumni magazine, the place she studied art and met her husband. If you're interested in reading that, here's the link to "Home is Where the Art Is."
Last October, I got a chance to meet her eldest daughter, Juliana, who is a chip off the old block (and a frequent model of Anna Maria's fashions). She's a smart, savvy young woman who was looking at colleges and we shared some talk about writing for magazines...hope you've got the school of your dreams lined up, Juliana!
Okay, this unrestrained blathering is an indication that I've got not just a girl-crush on Anna Maria, but on her entire family...a fam-crush, a brood-crush. Oh, so embarrassing for a woman of my age...
Friday, April 30, 2010
Sunday, April 25, 2010
New camera and a newly green world
I can't help myself. I try not to resort to pictures of my garden, but right now it's impossible to ignore. The daffodils are done and the redbuds are nearly so, but it's still an amazing sight. I just love early spring, when the plants in their beds are so tidy, compact, and perfectly colored and formed. No insects have had a chance to lay waste to the foliage and even the rabbits have yet to wreak their usual havoc. I decided it was time to move beyond my point and shoot and bought myself a new camera last week, and between that and the scenery, I couldn't resist. Please forgive me. Tuesday, April 20, 2010
Skin applique?
I've not been sewing at all, lately. Lots of freelance projects, plus a few medical issues have kept me from operating at full steam ahead. But I'm sure I'll be up and at 'em again, soon.
In lieu of actually using my sewing machine, I've taken a photo of something that DID require a needle: Molly's tattoo. I'm not a fan of tattoos (just ask my daughters), but when I met Molly four or five years ago I admit that I was drawn to the sewing machine tattooed on her forearm. If someone held me down and told me I HAD to be tattooed or they would take Pearl away, this is the tattoo I'd get. But only if...
Molly tells me that she got it after a break-up with a boyfriend, as a way to remind herself to remember to do the things that were important to her. She's got a very nice beau now (Donny) and a very nice dog (Oliver the beagle) and I'm quite lucky to have them as my neighbors. Molly still sews often, altering vintage clothes to give them a more modern fit. If you want to check out her stuff, visit her Etsy shop. If you're in Iowa City you can also check out Molly's "altered vintage clothing" and handmade skirts at White Rabbit.
Anyone else have a sewing related tattoo? I'd love to see it/share it. Send links!
In lieu of actually using my sewing machine, I've taken a photo of something that DID require a needle: Molly's tattoo. I'm not a fan of tattoos (just ask my daughters), but when I met Molly four or five years ago I admit that I was drawn to the sewing machine tattooed on her forearm. If someone held me down and told me I HAD to be tattooed or they would take Pearl away, this is the tattoo I'd get. But only if...Molly tells me that she got it after a break-up with a boyfriend, as a way to remind herself to remember to do the things that were important to her. She's got a very nice beau now (Donny) and a very nice dog (Oliver the beagle) and I'm quite lucky to have them as my neighbors. Molly still sews often, altering vintage clothes to give them a more modern fit. If you want to check out her stuff, visit her Etsy shop. If you're in Iowa City you can also check out Molly's "altered vintage clothing" and handmade skirts at White Rabbit.
Anyone else have a sewing related tattoo? I'd love to see it/share it. Send links!
Thursday, April 15, 2010
Tuesday, April 6, 2010
Are you a designing women (or man)?
My etsy post resulted not only in many kind comments, but an interesting email correspondence with a quilter whose work I included in the post. As we've chatted back and forth, we've realized we have much in common: we both love asiatic/oriental rugs, we both work in academia, we both love Kaffe Fasset's designs, and we both adore fabric (that last one might be a given with ANY quilter).
One of the interesting things we've talked about is designing one's own quilts vs. sewing the designs of others and how some people come down hard on one side of that line or the other.
People often complain that they feel uncomfortable in traditional quilt guilds because of the "quilt police": those who bristle at quilts if the points of stars disappear under an adjoining seam, if a binding doesn't lie completely flat, or if squares don't line up perfectly. Those kinds of judgements go a long way toward taking the joy out of creation for me. And yet, those "keepers of the quilting flame" also help ensure that there is a standard for quality craftsmanship, and that, too, is important.
I'm a sewer who most often uses the patterns of others. I've designed very few quilts—the one on this page is one of them. I admit that I'm probably most proud of those I designed myself, but I certainly take pleasure in sewing quilts designed by others and feel that I make them mine by my choice of color, fabric, and the occasional design tweak. (I also learn a lot each time I use someone else's instructions. I'm always delighted by the number of ways there are to create a block and some designers are exceptionally talented at simplifying a complicated design.)
I believe there is a place for both kinds of quilting, as well as sewing things aren't quilts. There's real satisfaction that comes from whipping up a bag or even a pillow case when you need a quick project (I love a lot of the Quilts and More projects for this reason.) I also feel great when I finish a simple quilt for a baby gift, as well as a larger, more complicated one. And when I have the time to design a quilt, that's fabulous, too. But I hate to feel constricted in what I sew, feeling guilty because I'm using someone else's pattern, and certainly hate to feel judged for doing so.
The pleasures of having my hands on all those fabulous fabrics and threads and combining colors soothes and stimulates me. The process of sewing itself can put me in the zone and seeing the completion of something tangible, in a world where so much work is seemingly never done, brings deep satisfaction. Sewing the patterns of others confers a respect on those pattern-designers who do it well: there's a real art to designing something beautiful and then putting together accurate and clear instructions. (I know, because I've felt the frustration of sewing poorly described and/or inaccurate patterns.) I'd love to live in a world where quilters respected the many ways to achieve those feelings: traditional quilting, modern quilting, hand quilting, machine piecing and quilting.
Certainly anyone using patterns from another designer should make sure the designer doesn't prohibit the sale of such items, and give credit to the designer. And the creators of items that are one-off or custom-designed should be compensated accordingly. But when it comes to making gifts for loved ones or just sewing for fun, to paraphrase Rodney King, "Can't we all just get along?"
How about you? Where do you stand? What do you enjoy sewing?
One of the interesting things we've talked about is designing one's own quilts vs. sewing the designs of others and how some people come down hard on one side of that line or the other.
People often complain that they feel uncomfortable in traditional quilt guilds because of the "quilt police": those who bristle at quilts if the points of stars disappear under an adjoining seam, if a binding doesn't lie completely flat, or if squares don't line up perfectly. Those kinds of judgements go a long way toward taking the joy out of creation for me. And yet, those "keepers of the quilting flame" also help ensure that there is a standard for quality craftsmanship, and that, too, is important.
I'm a sewer who most often uses the patterns of others. I've designed very few quilts—the one on this page is one of them. I admit that I'm probably most proud of those I designed myself, but I certainly take pleasure in sewing quilts designed by others and feel that I make them mine by my choice of color, fabric, and the occasional design tweak. (I also learn a lot each time I use someone else's instructions. I'm always delighted by the number of ways there are to create a block and some designers are exceptionally talented at simplifying a complicated design.)
I believe there is a place for both kinds of quilting, as well as sewing things aren't quilts. There's real satisfaction that comes from whipping up a bag or even a pillow case when you need a quick project (I love a lot of the Quilts and More projects for this reason.) I also feel great when I finish a simple quilt for a baby gift, as well as a larger, more complicated one. And when I have the time to design a quilt, that's fabulous, too. But I hate to feel constricted in what I sew, feeling guilty because I'm using someone else's pattern, and certainly hate to feel judged for doing so.
The pleasures of having my hands on all those fabulous fabrics and threads and combining colors soothes and stimulates me. The process of sewing itself can put me in the zone and seeing the completion of something tangible, in a world where so much work is seemingly never done, brings deep satisfaction. Sewing the patterns of others confers a respect on those pattern-designers who do it well: there's a real art to designing something beautiful and then putting together accurate and clear instructions. (I know, because I've felt the frustration of sewing poorly described and/or inaccurate patterns.) I'd love to live in a world where quilters respected the many ways to achieve those feelings: traditional quilting, modern quilting, hand quilting, machine piecing and quilting.
Certainly anyone using patterns from another designer should make sure the designer doesn't prohibit the sale of such items, and give credit to the designer. And the creators of items that are one-off or custom-designed should be compensated accordingly. But when it comes to making gifts for loved ones or just sewing for fun, to paraphrase Rodney King, "Can't we all just get along?"
How about you? Where do you stand? What do you enjoy sewing?
Tuesday, March 30, 2010
The Storque delivers!
Okay, I can't help but brag a bit. Through a series of personal and writing connections, I got asked if I'd do some blogging on quilt-related topics for Etsy. I was thrilled to have the opportunity, particularly because it came with some freedom in terms of topics to write about.
My first post for The Storque is up and I couldn't be happier. The folks at Etsy are terrific to work with and it was an interesting experience to think more visually and locate appropriate photos. (I'm spoiled in that I work with terrific photographers and designers in my day job, who typically prefer that editors deal with the words and let them deal with the images.) I also was once again treated to the generosity of spirit I find in so many quilters...the women I contacted about quotes and photos were so passionate about Modern Quilting and so prompt in getting back to me. The entire experience was a pleasure.
Check it out: Modern Quilter Meet-ups: The Quilting Bee Comes Full Circle
Wednesday, March 24, 2010
Check it out

Yes, I'm with you...the lamest of headlines...but I've had kind of a crazy few weeks. Let's just say I'm grateful for modern medicine! Fortunately things seem to be headed in the right direction now.
Before it all started I decided that there was no real need to continue using my checkbook cover, which had once been very chic and lovely, but was now just some falling-apart paper and plastic. so I went online, looking for some of those fabulous tutorials that people so generously post. What I love about the myriad tutorials available is that they remind me of the many ways to get something done—that there are plenty of options for constructing the cover and no checkbook police will be hauling me to the pokey for doing it wrong.
I first picked a very floral red and pink Kaffe Fasset fabric, but decided I should go for something more gender-neutral, given that it's the checkbook I share with my husband. So I found this great fabric I'd bought at Hancock's of Paducah, on my way home from John C. Campbell in January.(I've somehow cut the name on the selvedge completely off and have no clue who designed this fabric—any readers have any idea?) I used a bubbly batik scrap for the inside fabric. Sadly it barely shows, but I know it's there and that the fabrics combine nicely.
Thursday, March 11, 2010
Textile translations
I'm a fan of the American Craft Council and managed to find time to read their latest email. It linked to a blog about the American Craft Council show that was held in late February in Baltimore and the Awards of Excellence given to a chosen few participants. The Baltimore show is a granddaddy among these amazing juried craft shows—when I lived in Northern California I used to attend the show at Fort Mason in San Francisco and was always knocked out by the creativity and workmanship of the participants.
At any rate, this year's awardee in fiber is a weaver named Gretchen Romey-Tanzer. As a former weaver, I'm always interested in seeing what's new in the world of warp and weft, so I clicked on her website. The jeweled colors and simple elegance of her work make it evident why she's a winner. It's also an example of the way using quality materials pays off: the reflective quality and depth of color in her cotton yarns makes the pieces glow.All this is to say that when I saw her multiple-paneled pieces, I was struck by how that technique might be translated into quilting. I've been writing about modern quilting of late, and the graphic quality and use of solid blocks of color in Romey-Tanzer's weavings echo the sensibilities of many contemporary quilts. Make sure to check out her other work for inspiration! (All images by Gretchen Romey-Tanzer, reproduced here with permission.)
Sunday, March 7, 2010
Over there
During my junior year of college, I had the amazing good fortune to spend the first half of one semester in Florence and and the second half in London. We studied architecture, art history, and theater. Was I lucky or what?
‘
At the End of the Day’, hanging, Natasha Kerr, 2007. Museum no. T.43-2008
In London I discovered the Victoria and Albert Museum. It was the first time I realized that people preserved and studied textiles like they studied the Medici Chapel in Florence or the paintings of Whistler at the Tate in London. I spent hours just hanging out there, perusing the exhibitions, "paging" through the textile files, incredulous at what anyone who walked in off the street could access. It's remained one of my favorite museums.
Bishops Court quilt, Unknown, 1690-1700. Museum no. T.201-1984
My camp friend Susie just pointed out that there's a quilt exhibition starting this month at the V&A. The web site has some great info, including a curator's blog (can you imagine having that job?) and description of the exhibition. There's even a free Amy Butler quilt pattern to download (although I'm not quite sure why they didn't pick a British quilter for this...after all, Amy's Midwest Modern, right?).
Check out the web site, and if you're lucky enough to be heading to London-town, slot a visit into your schedule.
‘

At the End of the Day’, hanging, Natasha Kerr, 2007. Museum no. T.43-2008
In London I discovered the Victoria and Albert Museum. It was the first time I realized that people preserved and studied textiles like they studied the Medici Chapel in Florence or the paintings of Whistler at the Tate in London. I spent hours just hanging out there, perusing the exhibitions, "paging" through the textile files, incredulous at what anyone who walked in off the street could access. It's remained one of my favorite museums.
Bishops Court quilt, Unknown, 1690-1700. Museum no. T.201-1984
My camp friend Susie just pointed out that there's a quilt exhibition starting this month at the V&A. The web site has some great info, including a curator's blog (can you imagine having that job?) and description of the exhibition. There's even a free Amy Butler quilt pattern to download (although I'm not quite sure why they didn't pick a British quilter for this...after all, Amy's Midwest Modern, right?).Check out the web site, and if you're lucky enough to be heading to London-town, slot a visit into your schedule.
Thursday, March 4, 2010
Wanna feel my fabric?
If you're reading this blog, I know you love fabric (or you're my dad). And if you're not my dad and are addicted to textiles, we have a lot in common.
That said, I'm a big proponent of shopping locally. I get a little annoyed by sewers who want to buy everything online and then are surprised when the local quilt shop has to shut its doors. While there are many amazing online businesses, there is nothing like taking a project into a store and saying "I don't get it" and having them help you. Or taking a class so that you get it in the first place.
Fortunately for my local shops (Home Ec, Common Threads, and Pine Needles), I'm a promiscuous fabric buyer. I purchase from all three local and semi-local shops AND from online vendors.
Today the Fed Ex guy stopped by my door. Pearl growled and then barked at his knocks and I was a little annoyed...I'm supposed to be working, after all. But then I opened the package he'd left on the top step and out came two large zip-loc bags filled to the brim with fabric folded in the tidiest squares. The colors were rich and the prints better than I'd hoped. And best of all, they'd been marked down 50 percent...totally my kind of shopping.
Fortunately for my local shops (Home Ec, Common Threads, and Pine Needles), I'm a promiscuous fabric buyer. I purchase from all three local and semi-local shops AND from online vendors.
Yes, yes, of course I have far too much fabric. But I have so few other vices that I don't even feel too awful about it. And every time I take a class or learn a skill I'll see a new fabric (or maybe an old one I've loved but couldn't figure out how to use) and decide it would be just the thing for a Birdie Sling or a wonky house.
In the case of today's delivery, I was harkening to Mary Lou's advice to include cheddar fabrics in one's quilt. And these purple and blue veggies will be incredible potholders, a la Peg's pattern at Common Threads. And then there is enough of a couple to make a Birdie Sling and to use as a border for a quilt I've got started...
So let's hear what makes you buy fabric—do you buy for a specific project, or do you buy because you see a particular piece you can't resist?
P.S. Anyone have a clue as to why the font looks different, despite the fact that it's the same font and size as in the previous post?
In the case of today's delivery, I was harkening to Mary Lou's advice to include cheddar fabrics in one's quilt. And these purple and blue veggies will be incredible potholders, a la Peg's pattern at Common Threads. And then there is enough of a couple to make a Birdie Sling and to use as a border for a quilt I've got started...
So let's hear what makes you buy fabric—do you buy for a specific project, or do you buy because you see a particular piece you can't resist?
P.S. Anyone have a clue as to why the font looks different, despite the fact that it's the same font and size as in the previous post?
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